GAIN REDUCTION over a 25dB range is
adjustable from slow, easy AGC to high density compression for a
punchier more consistent sound.
VOICE mode activates a second level
controller that accelerates overshoot protection for better
control of voice dynamics.
HF LIMITER, adjustable from OFF to 150µs,
ensures that peak output signal is controlled to match the
pre-emphasis of the link or recording medium.
ALIGNMENT TONE GENERATOR is useful during
system setup to calibrate the 8200ST to the device being driven
and the OPTIMOD at the transmitter.
PEAK CONTROLLER prevents peak overmodulation
of the link.
STEREO or MONO; For stereo, gain control can
be coupled to preserve a balanced stereo image or uncoupled to
correct poorly balanced stereo programs.
ADVANCED METERING; The precision dual LED
MODULATION metering provides true peak-reading capability,
capturing pulse durations of as little as 10µs with a typical
accuracy of 0.05dB. The dual GAIN REDUCTION meters accurately
display up to 25dB of gain reduction in each channel.
Specifications
Performance
Frequency Response:
(20Hz-20kHz): ±0.25dB below leveler, compressor and high-frequency
limiter thresholds.
RMS Noise: (20Hz-20kHz): <100dB (103dB typical) below 100%
peak output level, with high-frequency limiter strapped for flat
output.
Interchannel Crosstalk: Better than -74dB at 15kHz, improving
below 15kHz.
Noise at Output: <-75dB microseconds. 20-20kHz.
Gain: 0dB, ±0.5dB.
Installation
Audio Input
Impedance:
>10k ohms active-balanced, EMI-suppressed.
Operating Level: Usable with -10dBu to +8dBu average level
lines. Maximum peak input level +27dBu. (0dBu=0.775VRMS; for this
application, the dBm @ 600 ohms scale on voltmeters can be read as
if calibrated in dBu.)
Connectors: Female XLR.
Audio Output
Impedance:
30 ohms electronically-balanced and floating to simulate true
transformer output. Minimum load impedance is 600 ohms. Output can
be unbalanced by grounding pin 2 or 3 of output XLR.
Level: Front panel adjustable for 100% peak output level up
to +24dBu.
Connector: Male XLR.
Circuitry
Level Controller:
Attack Time: Approximately 200ms (VOICEmode OFF), 5ms (VOICEmode
ON); program-dependent.
Release Time: Adjustable between approximately 1dB/sec;
program-dependent. Rate declines exponentially when less than 10dB
gain reduction occurs.
Compression Ratio: >20:1 (static); program-dependent
(dynamics).
Range of Gain Reduction: >25dB.
Interchannel Tracking: ±0.5dB (with COUPLE button set ON).
Total Harmonic Distortion (100% Modulation): <0.05% at 1kHz
(with RELEASE control centered and 15dB gain reduction). Typically
<0.1% at 20Hz, <0.03% from 100Hz-2kHz, 0.05% from 2-10kHz and <0.1%
from 10-20kHz.
SMPTE Intermodulation Distortion: <0.05% (60Hz/7kHz 4:1 with
15dB gain reduction).
Gain Reduction Element: Class-A VCA.
HF Limiter
Pre-emphasis:
Five switch-selectable 6dB/octave pre-emphasis curves: 25
microseconds, 50 microseconds 75 microseconds, 100 microseconds and
150 microseconds. Can be strapped for flat or pre-emphasized output.
Response: The high-frequency limiting threshold and attack
time have been set so that no audible distortion is produced with
dynamic program material that has been processed by the
leveler/compressor and peak controller. Because these settings have
taken into account the peak-to-average ratio of the level
compressor's output, it is not possible to specify the
high-frequency limiter's response to test tones with simple,
meaningful numbers.
Total Harmonic Distortion: The high-frequency limiter/clipper
will add no more than 0.02% THD to sine wave test tones that have
been processed by the leveler/compressor.
Release Time: Approximately 30ms, program-dependent.
Interchannel Coupling: Each channel's high-frequency limiter
operates independently at all times. (The use of fast release times
precludes disturbances of the stereo image's stability.)
Gain Reduction Element: Junction FET.
HF Limiting Curve: Shelving, 6dB/octave.
Peak Controller
Attack Time:
Instantaneous.
Release Time: Instantaneous.
Peak Control Element: Soft clipping diodes. The 8200ST's
level controller and high-frequency limiter circuitry
control average level sufficiently below the threshold of peak
control to prevent audible distortion in the clipping process.
Physical
Buttons:
Momentary with power-failure keep-alive feature to preserve COUPLE
and VOICE logic settings (Unit always powers up with TONEOFF and AGC
ON.)
Metering: Four 10-segment LED bargraph displays show gain
reduction and modulation level for each channel.
Indicators: Two LEDs show operation of gating or high
frequency limiting. Other indicators (e.g., COUPLE) light when their
respective buttons are enabled (ON).
Power Requirements: 115/230 volts AC ±10%, 50-60Hz, 16VA. IEC-standard
detachable mains cord. EMI-suppressed.
Fuse: 1/2 -amp 3AG 250V Slow-Blow for 115V operation; 1/4-amp
"T"-type (250mA) Slow-Blow for 230V operation.
Mounting: Requires 1 unit (1.75"/4.5cm) of vertical space in
an EIA 19"/48.3cm rack. Depth is 9.625"/24.5cm.
Operating Temperature Range: 32-113 degrees F (0-45 degrees
C).
Limited Warranty: One year, parts and labor. Subject to the
limitations set forth in Orban's Standard Warranty Agreement.
Specifications subject to change
without notice.
Notes
Total Level Control for the Studio
Transmission Control
When OPTIMOD-FM 8200 or OPTIMOD-AM is
installed at the transmitter, install OPTIMOD STUDIO 8200ST before
the STL to protect it from peak and high frequency overload. The
8200ST also controls average level on the link to maximize its
dynamic range, translating to improved signal quality at the
receiver. Barely adequate signal-to-noise ratio often makes the land
line or microwave studio-to-transmitter link the weakest part of the
broadcast chain. Transparent gain control translates to improved
effective dynamic range for the link and improved signal quality at
the receiver. Switch-selectable pre-emphasis limiting and peak
control ensure matching to any standard transmission medium.
Audio and Video Production
In the studio, time is money. Quick
setup and "no re-takes" certainty of control make OPTIMOD-STUDIO
8200ST the perfect multi-purpose level controller for studio
production applications. On voice, its smoothness and Silence Gating
guarantee uniform, hot levels without noise rush-up during pauses,
while the built-in de-esser makes excessive sibilance disappear.
Setting the RELEASE control toward FAST increases the punch and
intelligibility of a signal without losing the feel of the apparent
dynamic range. Moving the control toward SLOW allows the 8200ST to
more subtly reduce the dynamic range of the entire mix.
EFP, ENG and OB Trucks
In the heat of field production,
concentrating on riding audio levels is difficult. But if you don't,
you risk overloading the audio sub-carrier on the microwave or
satellite transmitter, or saturating the master tape. OPTIMOD-STUDIO
8200ST performs the level control-over a range of 25dB-and controls
high frequency and peak levels to prevent overmodulation.
Behind the Front Panel
OPTIMOD-STUDIO 8200ST contains
advanced Orban gain control circuitry featuring Class-A VCAs with
inherently low noise and distortion, broadcast grade interfacing
with EMI-suppressed, electronically-balanced and floating inputs and
outputs and Orban's traditionally rugged construction. The 8200ST is
designed to provide years of high performance operation.